directing Krzysztof Warlikowski Nowy Teatr TR Warszawa Redbad Klijnstra Małgorzata Szczęśniak Jacek Poniedziałek Stanisława Celińska Magdalena Cielecka Renate Jett Piotr Gruszczyński acting Paweł Mykietyn opera Felice Ross

Tadeusz Kantor Polish theatre directing drawings The Dead Class Krzysztof Warlikowski Krystian Lupa acting film Jerzy Grotowski training PWST landscape inner monologue Konrad Swinarski Jelenia Góra Jastrzębie Zdrój Europe Theatre Prize Jerzy Jarocki drama school Alina Obidniak Witkacy Kraków German literature Austrian literature Robert Musil design montage rhythm Factory 2 Kalkwerk staging text theatre space spectrum of concentration dreambody waking

acting Jerzy Grotowski Wrocław Laboratory Theatre Opole Ryszard Cieślak Zbigniew Cynkutis Zygmunt Molik Antoni Jahołkowski Jacek Zmysłowski voice paratheatre Rena Mirecka Tree of People CPR Giving Voice Gilles Petit Jerzy Radziwiłowicz Brzezinka

Tadeusz Kantor Cricot 2 Polish theatre directing Theatre of Death The Dead Class Polish Jewish culture Polish identity Andrzej Wajda film Konrad Swinarski Jerzy Jarocki Witkacy documentation DVD Krzysztofory Bruno Schulz

Polish theatre directing Krzysztof Warlikowski Nowy Teatr TR Warszawa intertheatricality Jacky Bratton Redbad Klijnstra Małgorzata Szczęśniak Jacek Poniedziałek Stanisława Celińska Grzegorz Jarzyna Magdalena Cielecka Andrzej Chyra Maja Ostaszewska Renate Jett Danuta Stenka Piotr Gruszczyński Ewa Dałkowska (A)pollonia Peter Brook Krystian Lupa Małgorzata Hajewska-Krzysztofik Mariusz Bonaszewski The Tempest Cleansed The Taming of the Shrew ensemble acting collective creation

Krzysztof Warlikowski Nowy Teatr TR Warszawa Małgorzata Szczęśniak Jacek Poniedziałek Hamlet William Shakespeare

Polish theatre ensemble acting rehearsals Jerzy Grotowski Wrocław Laboratory Theatre Opole Ludwik Flaszen Maja Komorowska Andrzej Bielski Ryszard Cieślak Zbigniew Cynkutis Zygmunt Molik Antoni Jahołkowski Waldemar Krygier Jerzy Gurawski Stanisław Scierski Akropolis voice Apocalypsis cum figuris Rena Mirecka performer training ethics gender Thomas Richards plastiques corporels The Constant Prince craft professionalism Gospels études Ewa Lubowiecka Andrzej Kulig Mieczysław Janowski Maciej Prus exercises associations masks family parenthood Elizabeth Albahaca body memory

Tadeusz Kantor Polish theatre cross-cultural directing memory Krzysztof Warlikowski Nowy Teatr TR Warszawa Jacek Poniedziałek Magdalena Cielecka Piotr Gruszczyński Krystian Lupa ensemble acting William Shakespeare Jedwabne Jan T. Gross Hanna Krall Polish Jewish culture Polish identity Second World War Greek tragedy Jan Klata migration Andrzej Wajda film Germany Russia Anatoli Vassiliev documentation exclusion minority identities

Tadeusz Kantor Cricot 2 objects Cricotage bio-object Theatre of Death memory memento mori Wielopole The Dead Class Let the Artists Die! The Return of Odysseus Second World War Holocaust Andrzej Wajda film Cricoteka I Shall Never Return Today is My Birthday Where Are the Snows of Yesteryear? documentation DVD Andrzej Sapija photograph Stanisław Zajączkowski emballage

Krzysztof Warlikowski Nowy Teatr TR Warszawa Jacek Poniedziałek Stanisława Celińska Grzegorz Jarzyna Magdalena Cielecka Andrzej Chyra Renate Jett Danuta Stenka (A)pollonia Krystian Lupa Małgorzata Hajewska-Krzysztofik Mariusz Bonaszewski The Tempest Cleansed The Taming of the Shrew William Shakespeare The Dybbuk Sarah Kane Bernard-Marie Koltès Hanoch Levin Sophocles Euripides Teatr Rozmaitości Teatr Dramatyczny Adam Ferency The Bacchae

Tadeusz Kantor Cricot 2 Polish theatre Theatre of Death memory Let the Artists Die! Michal Kobialka psychoanalysis Sigmund Freud Polish Jewish culture Polish identity Second World War collective remembering Andrzej Wajda film Katyn history Germany Russia Soviet Union Wielopole, Wielopole trauma memory studies mourning photography autobiography NKVD Józef Piłsudski Krzysztof Pleśniarowicz Ross Chambers Andrzej Mularczyk Nicolas Abraham Maria Torok Anna M. Cienciala Ewa Plonowska Ziarek

Tadeusz Kantor Jerzy Grotowski Poor Theatre Kraków Stanisław Wyspiański Wrocław Laboratory Theatre Opole Ludwik Flaszen Ryszard Cieślak Akropolis avant-garde Adam Mickiewicz via negativa Dr Faustus theatre criticism theatre writing Młoda Polska Polish Romanticism Monumental Theatre Konstanty Puzyna Dziady Hinduism mysticism gnosticism gnosis negative theology initiation Andrzej Towiański Performer Kazimierz Wyka Miron Białoszewski Słowacki Theatre Cain Orpheus occultism religious experience The Constant Prince Pedro Calderón de la Barca Christian mysticism Polish October