Work

Polish theatre directing memory Krzysztof Warlikowski Nowy Teatr Jacek Poniedziałek Magdalena Cielecka Maja Ostaszewska Renate Jett Piotr Gruszczyński (A)pollonia Peter Brook ensemble acting collective creation Hanna Krall Polish Jewish culture Polish identity Euripides Stefan Okołowicz Aeschylus Hans Christian Andersen Andrzej Czajkowski J. M. Coetzee Jonathan Littell Marcin Świetlicki Rabindranath Tagore The Kindly Ones Alcestis Elizabeth Costello Maciej Stuhr Paweł Mykietyn Second World War Holocaust rehearsals Magdalena Popławska Iphigenia devising audience

Polish theatre directing ensemble acting rehearsals Jerzy Grotowski Workcenter of Jerzy Grotowski & Thomas Richards training Wrocław Laboratory Theatre Opole Ludwik Flaszen Theatre of Sources set design Maja Komorowska Andrzej Bielski Ryszard Cieślak Zbigniew Cynkutis Zygmunt Molik Antoni Jahołkowski Waldemar Krygier Jerzy Gurawski Jacek Zmysłowski active culture Przemysław Wasilkowski Irena Rycyk Stefania Gardecka Teo Spychalski Stanisław Scierski paratheatre Rena Mirecka

directing Krzysztof Warlikowski Nowy Teatr TR Warszawa Redbad Klijnstra Małgorzata Szczęśniak Jacek Poniedziałek Stanisława Celińska Magdalena Cielecka Renate Jett Piotr Gruszczyński acting Paweł Mykietyn opera Felice Ross

Tadeusz Kantor Polish theatre cross-cultural directing memory Krzysztof Warlikowski Nowy Teatr TR Warszawa Jacek Poniedziałek Magdalena Cielecka Piotr Gruszczyński Krystian Lupa ensemble acting William Shakespeare Jedwabne Jan T. Gross Hanna Krall Polish Jewish culture Polish identity Second World War Greek tragedy Jan Klata migration Andrzej Wajda film Germany Russia Anatoli Vassiliev documentation exclusion minority identities

Tadeusz Kantor Cricot 2 Polish theatre directing Theatre of Death memory

Tadeusz Kantor Polish theatre directing drawings The Dead Class Krzysztof Warlikowski Krystian Lupa acting film Jerzy Grotowski training PWST landscape inner monologue Konrad Swinarski Jelenia Góra Jastrzębie Zdrój Europe Theatre Prize Jerzy Jarocki drama school Alina Obidniak Witkacy Kraków German literature Austrian literature Robert Musil design montage rhythm Factory 2 Kalkwerk staging text theatre space spectrum of concentration dreambody waking

Tadeusz Kantor Cricot 2 Polish theatre directing Theatre of Death The Dead Class Polish Jewish culture Polish identity Andrzej Wajda film Konrad Swinarski Jerzy Jarocki Witkacy documentation DVD Krzysztofory Bruno Schulz

Tadeusz Kantor Cricot 2 Today is My Birthday Spanish theatre La Zaranda Marta Carrasco Sara Molina Jerónimo López Mozo Mariameneo, Mariameneo Wielopole, Wielopole Spanish Civil War Spanish Independent Theatre José Monleón Diego Velázquez José Luis Alonso de Santos El album familiar Aiguardent Blanc d’ombra Mira’m Vinagre de Jerez La infanta de Velázquez Perdonen la tristeza Spanish playwriting Primer Acto posguerra Las Meninas

Tadeusz Kantor Cricot 2 objects Theatre of Death The Dead Class The Return of Odysseus I Shall Never Return mannequins Wielopole, Wielopole avant-garde Bauhaus modernism object-actor Edward Gordon Craig Oskar Schlemmer Dainty Shapes and Hairy Apes Heinrich von Kleist Eleonora Duse waxworks

Polish theatre directing Krzysztof Warlikowski Nowy Teatr TR Warszawa intertheatricality Jacky Bratton Redbad Klijnstra Małgorzata Szczęśniak Jacek Poniedziałek Stanisława Celińska Grzegorz Jarzyna Magdalena Cielecka Andrzej Chyra Maja Ostaszewska Renate Jett Danuta Stenka Piotr Gruszczyński Ewa Dałkowska (A)pollonia Peter Brook Krystian Lupa Małgorzata Hajewska-Krzysztofik Mariusz Bonaszewski The Tempest Cleansed The Taming of the Shrew ensemble acting collective creation

directing acting Soviet Union Anatoli Vassiliev Jerzy Grotowski Konstantin Stanislavsky Russian theatre School of Dramatic Art GITIS Moscow Art Theatre Andrey Popov Maria Knebel Michael Chekhov Mikhail Butkevich Workcenter of Jerzy Grotowski & Thomas Richards Pontedera Grotowski Year 2009 ENSATT Moscow training physical actions action analysis ludic theatre play Poor Theatre